Amplitube 4 Fender Champs comparison

February 16, 2017

IK Multimedia (hereafter IKMM) has a history with Fender that at this point has produced a plethora of digital models of classic and modern Fender gear. When I first got the chance to try Amplitube Fender (2009) (shout out to my former editor Will Chen at FrugalGuitarist!) something that really knocked me out was how accurate I felt its Champ 600 model was – I happened to have a Champ 600 as a practice amp at the time, and it was really close in sound and feel! But anyone who has played it knows it isn’t exactly the same as the classic Fender Champ sound. It’s enjoyable, responsive and barks when you crank it, but it’s not the classic sweet, worn-in sound.

Fender did reissue the ’57 Champ once and IK Multimedia modeled it through their officially certified model process – it represents a point somewhere between the Champ 600 and the Custom ’57 Champ in terms of modeling sophistication, having come out in the Amplitube 3.5 era. You can get it now from the Custom Shop or in the Amplitube Max bundle, as well as its matching 1×8 cabinet.

To get an idea of how things have progressed since 2009, I figured y’all might enjoy some comparison clips. I recorded one DI track and ran it through each Champ model in Amplitube, with the volume cranked. No post-effects were used. I used the same mic models and the same mic model positioning on each, with each Champ’s matching cabinet model. Of course the Amplitube 4 cab sim is considerably more flexible now than it was in the Amplitube 2/ X-Gear product era, so it is possible that a different tone could come from the all-original setup, but I’m not going to track down my old installation files to cook up a throwback installation just to see. Hands down, the new method of cab sim and user interface for it are big improvements.

Below are the clips – you’ll definitely hear differences in the models! I think IKMM’s technological evolution is pretty well on display.

champ-600
Champion 600 Model & Cab

reissue-57-champ
’57 Champ RI Model

57-custom-champ
’57 Custom Champ Model – Input 1

My Thoughts

The Champ 600 sounds just like I remembered it sounding – which is still pretty much how the real Champ 600 sounds too. Great model quality for the time period – I felt then and still do that Amplitube Fender in 2009 pushed IKMM to a new level of quality. However – and this shouldn’t really come across in the clip, coming from one DI track – the feel is less responsive to your playing dynamics than the ’57 Custom Champ especially. Years of technological advances will do that to a model of the past… But if you like the sharper, barky drive tone of the Champion 600, this model still does the job really well.

I never had a chance to really dig into the ’57 Champ RI model prior to this comparison. Getting to know it has been fun – it has a lot of character, and the matching 8″ cab is well done and sounds good with other amp models within Amplitube 4. Very responsive, with a smoother drive character than the Champion 600 but more grit than the ’57 Custom. They put this model out around the same time as the ’65 Princeton Reverb model, which is also great – I think IKMM represents Fender very well here.

Now to center stage! The ’57 Custom Champ is easily the smoothest, with a really classic driven tone that sends my mind back to some of the artists who famously loved Champs to record with. It’s sweet, it’s darker, no peaky character to the highs at all, with rich lows that roll gently into distortion as you play harder. You can really hear the notes sort of fuzzing out at the edges but it never shrieks at you. It doesn’t push as high gain as the other two, but its sonic character is sweeter overall and it feels just fantastic to play. Rich harmonics, never piercing highs – yet you can still make out the pick attack for single notes and how it glides across the strings in chords. Nice.


Amplitube Fender Collection 2!

February 6, 2017

Oh, this is cool! I remember having the opportunity back in the day to try Amplitube Fender before nearly anyone else had outside of the company. I was blown away at the time – it was a really good product, and in my mind started IKMM down their best avenues in terms of their modeling and how much realism and utility they could achieve in their software.

Now they’re bringing out a new generation of Fender amps for 2017 in the Amplitube Fender Collection 2. http://www.ikmultimedia.com/products/fender2/

I let my ears make their own judgments, but I tells ya, my aesthetic preferences are 100% down with this kinda thing. Check out the GUI for the ’53 Bassman model:

fender2_amp_53_bassman_w

Very slick! Twin looking great too:

345_fender2_amp_57_custom_twin

Of course I’m with yall in being most concerned about the tone – but who doesn’t like something easy on the eyes?

Amplitube Fender began the era of IKMM models reaching that next level. They’ve introduced a new modeling technology called “Dynamic Interaction Modeling,” which seems to be aimed at capturing the interactions between electrical components in the circuit as a whole to replicate genuine behavior as accurately as possible. I have not yet tried it but reading others’ impressions so far this just may be something special.

Hoping to get to demo this for the blog soon!